A while ago, one of my friends asked me to define "film noir." I said something about the entanglement of private and public corruption. I was wrong -- some of the best film noir (The Maltese Falcon, The Big Sleep, The Asphalt Jungle . . .) is about crime that has nothing to do with the common weal. On the other hand, there is a growing sub-genre of noir books and films that follow the Chinatown model of using the hard-boiled detective genre to talk about crime both private and public.
The Yiddish Policemen's Union, Michael Chabon. This novel is getting a lot of attention right now, and deservedly so. It's been what? Six years since The Amazing Adventures of Kavalier & Clay? A while. This novel didn't have the same effect on me that the earlier one did, in part, probably, because Chabon sticks to the noir formula so closely: genre conventions do tend to eliminate the flashes of unexpected brilliance in which Kavalier & Clay abounded. The Yiddish Policemen's Union is very, very good, however: there are passages in which Chabon makes it look so easy that I actually thought out loud, "Oh, I could write this." (I couldn't write that.) For a genre exercise, the novel is unusually inaccessible, however. I consider myself pretty Jew-adjacent. I know a fair amount of Yiddish and a good deal about Jewish social convention and religious practices, but I still spent the first half of the book wrestling with words and trying to figure out which parts Chabon invented wholesale.
City of Tiny Lights, Patrick Neate. I wonder if Chabon was influenced at all by this novel, about a Pakistani-English private investigator who becomes embroiled in a murder investigation that is in turn related to terrorism. Neate uses similar narrative techniques to discuss similar themes. Somehow, I don't think that this book sold that well in the U.S.: I had never heard of it before picking up a copy at a flea market. Since then, I've seen copies fairly often at used bookstores and charity sales. If you should happen to spy one, you should probably buy it, because it is very good.
No Dominion, Charlie Huston. I may have talked about this book before. I know I've talked about Charlie Huston before. He seems to be going through a very prolific period right now: he's published something like five books in the last two or three years. All of them are very violent and very good. No Dominion is the second volume in a series about a vampire private investigator and it's awfully good. (I think there might be a similar TV series debuting this fall, possibly on CBS.)










